Crucial to an understanding of Montesquieu's work is the contrast he drew between ancient and modern mentalites. 'Les politiques grecs,' he wrote in his classic work De l'esprit des lois (1748), 'qui vivaient dans le gouvernement populaire, ne reconnaissaient d'autre force qui put les soutenir que celle de la vertu. Ceux d'aujourd'hui ne nous parlent que de manufactures, de commerce, de finances, de richesses et de luxe meme.' Ancient philosophers had conceptualised model regimes where human beings would flourish in accordance with their natural purposes and potentialities shaped by good laws well obeyed. Such moderns as Montesquieu, on the other hand, ceased to regard the state as a school for morality. No longer concerned with improving man's soul, politics focused instead on the achievement of liberty, security and material prosperity. Clearly something novel and distinctive, something recognisably 'modern', arose during the period from Machiavelli to Montesquieu. A teleological universe suffused with transcendent meaning and purposeful ends was supplanted by a more secular, 'disenchanted' world-view. Both the Christian conception of a life lived in humble devotion to the moral commandments of revealed religion and the classical conception of a virtuous life devoted to ethical perfection were challenged by a new political realism stressing the dominance of the passions over reason and the constructive potential of self-interest. The authors of the eleven essays comprising this volume explore the complex relations between Montesquieu and modernity and between Montesquieu and antiquity. Assessing the content of his three major works, they conclude that whereas the label 'modern' suits Montesquieu, he nonetheless retained certain philosophical approaches characteristic of antiquity as well as a high regard for the primacy accorded to politics and philosophy in the classical era.

In this volume a team of international contributors explore the way modern conceptions of what constitutes an individual's life-story emerged in the seventeenth and eighteenth centuries. The Enlightenment idea of the self - an autonomous individual, testing rules imposed from without against a personal sensibility nourished from within - is today vigourously contested. By analysing early modern 'life writing' in all its variety, from private diaries and correspondence to public confessions and philosophical portraits, this volume shows that the relation between self and community is more complex and more intimate than supposed. Spanning the period from the end of the Renaissance to the eve of Romanticism in western Europe, a period in which the explosion of print culture afforded unprecedented opportunities for the circulation of life-stories from all classes, this book examines the public assertion of self by men and women in England, France and Germany from the Renaissance to Romanticism.

A team of international contributors explores the way modern conceptions of what constitutes an individual's life story emerged in the seventeenth and eighteenth centuries. The Enlightenment idea of the self--an autonomous individual, testing rules imposed from without against a personal sensibility nourished from within--is today vigorously contested. By analyzing early-modern "life writing" in all its variety, from private diaries and correspondences to public confessions and philosophical portraits, this volume shows that the relation between self and community is more complex and more intimate than supposed.

'For certain men the stronger their desire, the less likely they are to act.' With his first glimpse of Madame Arnoux, Frederic Moreau is convinced he has found his romantic destiny, but when he pursues her to Paris the young student is unable to translate his passion into decisive action. He also finds himself distracted by the equally romantic appeal of political action in the turbulent years leading up to the revolution of 1848, and by the attractions of three other women, each of whom seeks to make him her own: a haughty society lady, a capricious courtesan, and an artless country girl. Flaubert offers a vivid and unsparing portrait of the young men of his generation, struggling to salvage something of their ideals in a city where corruption, consumerism, and a pervasive sense of disenchantment undermine all but the most compromised erotic, aesthetic, and social initiatives. Sentimental Education combines thoroughgoing irony with an impartial but unexpectedly intense sympathy in a novel whose realism competes with that of Balzac and whose innovations in narrative plot and perspective mark a turning-point in the development of literary modernism. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In his Discourses (1755), Rousseau argues that inequalities of rank, wealth, and power are the inevitable result of the civilizing process. If inequality is intolerable - and Rousseau shows with unparalledled eloquence how it robs us not only of our material but also of our psychological independence - then how can we recover the peaceful self-sufficiency of life in the state of nature? We cannot return to a simpler time, but measuring the costs of progress may help us to imagine alternatives to the corruption and oppressive conformity of modern society. Rousseau's sweeping account of humanity's social and political development epitomizes the innovative boldness of the Englightment, and it is one of the most provocative and influential works of the eighteenth century. This new translation includes all Rousseau's own notes, and Patrick Coleman's introduction builds on recent key scholarship, considering particularly the relationship between political and aesthetic thought. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Who possesses me will possess all things, But his life will belong to me...' Raphael de Valentin, a young aristocrat, has lost all his money in the gaming parlours of the Palais Royal in Paris, and contemplates ending his life by throwing himself into the Seine. He is distracted by the bizarre array of objects in a chaotic antique shop, among them a strange animal skin, a piece of shagreen with magical properties. It will grant its possessor his every wish, but each time a wish is bestowed the skin shrinks, hastening its owner's death. Around this fantastic premise Balzac weaves a compelling psychological portrait of his hero, a prisoner of his own Promethean imagination, and explores profound ideas about the human will, vice and virtue, love and death. Helen Constantine's new translation captures the energy and exuberance of Balzac's novel, one of the most engaging of his 'Etudes philosophiques' from the Comedie humaine. The accompanying introduction and notes offer fresh insights into this remarkable work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'What holds sway over this country without morals, beliefs, or feelings? Gold and pleasure.' Sexual attraction, artistic insight, and the often ironic relationship between them is the dominant theme in the three short works collected in this volume. In Sarrasine an impetuous young sculptor falls in love with a diva of the Roman stage, but rapture turns to rage when he discovers the reality behind the seductiveness of the singer's voice. The ageing artist in The Unknown Masterpiece, obsessed with his creation of the perfect image of an ideal woman, tries to hide it from the jealous young student who is desperate for a glimpse of it. And in The Girl with the Golden Eyes, the hero is a dandy whose attractiveness for the mysterious Paquita has an unexpected origin. These enigmatic and disturbing forays into the margins of madness, sexuality, and creativity show Balzac spinning fantastic tales as profound as any of his longer fictions. His mastery of the seductions of storytelling places these novellas among the nineteenth-century's richest explorations of art and desire. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In April of 2013, Author Eric Durchholz had a near-death experience followed by a soul transfer. As a result, he died and was replaced by a new consciousness named Patrick John Coleman. A new soul in a full-grown body...much to the confusion of his friends and family. As the new age concept of a walk-in soul is relatively unknown to the mainstream, a growing army of walkins are coming to this planet in a "Divine Invasion" to set this polluted and hateful world back on a course towards peace. As Coleman struggled to find out where he came from and what happened to Eric, he turned to the great psychic researchers Edgar Cayce, Jane Roberts and Esther Hicks for answers. In doing so he found he had uncanny connections to them while also uncovering a plot by his family to keep him silent. The book also includes several hours of specially produced video footage including reenactments of key events linked via QR Codes so keep your smartphone handy and get ready for a mindbending, soul-expanding thrill ride.

Preface By W. Lloyd Warner. Introduction By Burleigh B. Gardner.

The Center for Theoretical Studies of the University of Miami has been the host of annual winter conferences whose content has expanded from the particular topic of symmetry principles in high energy physics to encompass the bases and relationships of many branches of know ledge. The scope of the Tenth Coral Gables Conference on Fundamental Interactions included astrophysics, atomic and molecular physics, fundamental theories of gravi tation, of electromagnetism, and of hadrons, gauge theories of weak and electromagnetic interactions, high energy physics, liquid helium physics, and theoretical biology. The range of topics is partially represented by the scientific talks which form this book. The tangible fruits of the conference are these papers; the intangible ones are the changes of outlook which the participants experienced and the new appreciation they gained of the basic unity of all knowledge. Historically, the early Coral Gables Conferences witnessed the introduction of the concept of the quark and the attempts to formulate a unification of the in ternal and space-time symmetries of the elementary particles, while later ones were the initial forums for new unified theories of interactions and for the ideas of scaling, light-cone dominance, and partons."

Preface By W. Lloyd Warner. Introduction By Burleigh B. Gardner.

Soon to be a an FX series starring and produced by Matthew McConaughey A LitHub Most Anticipated Book of Summer The Churchgoer is a wonderful debut novel from a writer with more than a few tricks up his sleeve."--Los Angeles Times A haunting debut literary noir about a former pastor's search to find a missing woman in the toxic, contradictory underbelly of southern California. "He was finished with church, with God, with all of it. But to find the girl, he has to go back." In Mark Haines's former life, he was an evangelical youth pastor, a role model, and a family man--until he abandoned his wife, his daughter, and his beliefs. Now he's marking time between sunny days surfing and dark nights working security at an industrial complex. His isolation is broken when Cindy, a charming twenty-two-year old drifter he sees hitchhiking on the Pacific Coast Highway, hustles him for a breakfast and a place to crash--two cynical kindred spirits. Then his co-worker is murdered in a robbery gone wrong and Cindy disappears on the same night. Haines knows he should let it go and return to his safe life of solitude. Instead, he's driven to find out where Cindy went, under stranger and stranger circumstances. Soon Mark is chasing leads, each one taking him back into a world where his old life came crashing down--into the seedier side of southern California's drug trade and ultimately into the secrets of an Evangelical megachurch where his past and his future are about to converge. What begins as an investigation becomes a haunting mystery and a psychological journey both for Mark, and for the elusive young stranger he won't let get away. Set in the early 2000s, The Churchgoer is a gripping noir, a quiet subversion of the genre, and a powerful meditation on belief, morality, and the nature of evil in contemporary life.

'No one can write a man's life except himself.' In his Confessions Jean-Jacques Rousseau tells the story of his life, from the formative experience of his humble childhood in Geneva, through the achievement of international fame as novelist and philosopher in Paris, to his wanderings as an exile, persecuted by governments and alienated from the world of modern civilization. In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with unique insight the relationship between an elusive but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement, and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The cultural forms often referred to as ‘baroque’ are the most spectacular expressions of early modern Europe’s effort to mediate between knowledge and power at a time when political authority was being centralized, the authority of religion undermined by the division of Christianity, and science and poetry were seen increasingly as rival forms of intellectual authority. Culture and Authority in the Baroque explores the baroque across a wide range of disciplines, from poetics to politics, to the rituals of musical, dramatic, and religious performance.The essays in this collection span what has been called the ‘baroque crescent’ stretching from Spain through Italy to Russia, but they also bring Shakespeare and English cosmological poetry into productive dialogue with continental Europe in the reinterpretation of baroque world-views. The editors, Massimo Ciavolella and Patrick Coleman, along with a group of eminent scholars from across the disciplinary and geographic spectrum, investigate baroque modes of persuasion with careful attention to the complexity of particular cultural phenomena and their political and aesthetic implications. This collection redefines the way the baroque will be understood.

The study of Montreal as a specific location in French and English writings has long been subordinated to the demands of linguistically divided and politically contentious narratives about national development. In this cross-linguistic study, Patrick Coleman models an inclusive and post-national literary history of the city itself. Tracing a sequence of moments in the emergence of the Montreal novel from World War II to the turbulent 1960s, Equivocal City offers close readings of fourteen key works of fiction, focusing on the inner dynamic of their construction as well as the unexpected convergences and contrasts in the narrative structures they adopt and the aesthetic perspective they seek to achieve. Critically sophisticated but accessibly written, this book gives a sympathetic account of how writers in both languages struggled to give integrated artistic expression to their experience of a city that was still linguistically compartmentalized and culturally insecure. By analyzing the interplay between story and narrative form, the book explores what French and English novelists could - and could not - imagine about the Montreal they sought to portray. From the responsible realism of Hugh MacLennan and Gabrielle Roy to the fractious phantasmagorias of Jacques Ferron and Leonard Cohen, Equivocal City traces the evolution of the Montreal novel with the aim of retrieving a shareable literary past.

The study of Montreal as a specific location in French and English writings has long been subordinated to the demands of linguistically divided and politically contentious narratives about national development. In this cross-linguistic study, Patrick Coleman models an inclusive and post-national literary history of the city itself. Tracing a sequence of moments in the emergence of the Montreal novel from World War II to the turbulent 1960s, Equivocal City offers close readings of fourteen key works of fiction, focusing on the inner dynamic of their construction as well as the unexpected convergences and contrasts in the narrative structures they adopt and the aesthetic perspective they seek to achieve. Critically sophisticated but accessibly written, this book gives a sympathetic account of how writers in both languages struggled to give integrated artistic expression to their experience of a city that was still linguistically compartmentalized and culturally insecure. By analyzing the interplay between story and narrative form, the book explores what French and English novelists could - and could not - imagine about the Montreal they sought to portray. From the responsible realism of Hugh MacLennan and Gabrielle Roy to the fractious phantasmagorias of Jacques Ferron and Leonard Cohen, Equivocal City traces the evolution of the Montreal novel with the aim of retrieving a shareable literary past.